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    <subfield code="a">Summa+ N&#xBA; 135. Educaci&#xF3;n y cultura. Campus WU. Ciudades culoturales. Ampliaciones. patios y escuelas /</subfield>
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    <subfield code="a">144 p.</subfield>
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    <subfield code="a">EDITORIAL | EDITORIAL
    &#x2022; CULTURA: ESCALA E DIMENS&#xC3;O / CULTURE: SCALE AND DIMENSION, POR MART&#xCD;N DI PECO (P&#xE1;g. 4).

CAMPUS WU
    &#x2022; UMA CIDADE NA CIDADE / A CITY WITHIN A CITY, POR FERNANDO D&#xCD;EZ (P&#xE1;g. 6).
    &#x2022; BUArchitektur - Centro de Audit&#xF3;rios - Institutos - Refeit&#xF3;rio, D1 Tc / Auditorium Center - Institutes - Cafeteria - Teaching Center - D1, BUArchitektur (P&#xE1;g. 20).
    &#x2022; ZAHA HADID / PATRIK SCHUMACHER - BIBLIOTECA E CENTRO DE ESTUDOS / Library and Study Center, Zaha Hadid / Patrik Schumacher (P&#xE1;g. 26).
    &#x2022; ATELIER HITOSHI ABE - DEPARTAMENTOS D2 CENTRO DE ESTUDANTES / Departments and Students Center building, Hitoshi Abe Atelier (P&#xE1;g. 32).
    &#x2022; CRAB STUDIO - DEPARTAMENTOS DE DIREITO D3 E ADMINISTRA&#xC7;&#xC3;O CENTRAL / Law and central administration departments building, CRAB Studio (P&#xE1;g. 34).
    &#x2022; ESTUDIO CARME PIN&#xD3;S - EDIF&#xCD;CIO DE DEPARTAMENTOS D4 / D4 - Departments building, Estudio Carme Pin&#xF3;s (P&#xE1;g. 38).
    &#x2022; NO.MAD ARQUITECTOS - ACADEMIA DE EXECUTIVOS / Executive academy, NO.MAD Arquitectos (P&#xE1;g. 40).

ENSAIO | ESSAY
    &#x2022; O DIAGRAMA COMO ESTRUTURA: LINHAS DE FOR&#xC7;A E CARGA / THE DIAGRAM AS STRUCTURE: LINES OF FORCE AND LOAD, POR JOSEP MARIA MONTANER (P&#xE1;g. 44).

CIDADES CULTURAIS | CULTURAL CITIES
    &#x2022; UMA CASA PARA A HIST&#xD3;RIA DO BRASIL / A HOUSE TO HOLD THE HISTORY OF BRAZIL, Brasiliana USP - Eduardo de Almeida e Rodrigo Mindlin Loeb - TEXTO: JUAN GONZ&#xC1;LEZ CALDER&#xD3;N (P&#xE1;g. 48).
    &#x2022; AR PARA RESPIRAR NO CENTRO / A BREATH OF FRESH AIR IN DOWNTOWN SAO PAULO, Centro Paula Souza - Francisco Spadoni e Pedro Taddei Neto (P&#xE1;g. 56).

CIDADE, PRA&#xC7;A E ARTES
    &#x2022; CIDADE, PRA&#xC7;A E ARTES / THE CITY, THE PARK AND THE ARTS, POR CARLOS EDUARDO COMAS (P&#xE1;g. 68).
    &#x2022; FLUTUANDO ENTRE MAR E MONTANHA / FLOATING BETWEEN SEA AND MOUNTAIN, Cidade das artes - Christian de Portzamparc (P&#xE1;g. 70).
    &#x2022; OCUPANDO ESPA&#xC7;OS PARA DED&#xC1;-LOS LIVRES / OCCUPYING SPACES TO SET THEM FREE, Pra&#xE7;a das Artes - Brasil Arquitetura (P&#xE1;g. 80).

ENCONTROS | MEETINGS
    &#x2022; DOCOMOMO BRASIL: CONEX&#xD5;ES BRUTALISTAS / DOCOMOMO BRAZIL: BRUTALIST CONNECTIONS, POR ANA DANA PELLEGRINI (P&#xE1;g. 90).

AMPLIA&#xC7;&#xD5;ES | ENLARGEMENTS
    &#x2022; VARIA&#xC7;&#xC3;O CROM&#xC1;TICA NA VELHA NAVE INDUSTRIAL / COLOR VARIATIONS IN THE OLD INDUSTRIAL PREMISES, Universidade Torcuato Di Tella. Renova&#xE7;&#xE3;o e amplia&#xE7;&#xE3;o sede Alcorta / Torcuato di Tella University. Renovation and enlargement of the Alcorta campus - RDR Arquitectos (P&#xE1;g. 94).
    &#x2022; TRIPARTIDAS ILUS&#xD5;ES VERTICAIS / THREE-WAY VERTICAL ILLUSIONS, Escola de Artes Visuais - Barclay&amp;Crousse architecture (P&#xE1;g. 100).
    &#x2022; CENTRO DE UMA MOLDURA / INSIDE A FRAME, Centro Cultural Elena Garro - Fernanda Canales + Arquitectura 911sc (P&#xE1;g. 104).

EVENTOS | 48H OPEN HOUSE
    &#x2022; EVENTOS / 48H OPEN HOUSE / EVENTS / 48H OPEN HOUSE, The 48H Open House and Architecture Festival took place in Buenos Aires. The event consisted in opening the doors of buildings that are usually closed to the public during one weekend. An account of the experience of visiting the Ben&#xE9;tch Building and the Galer&#xED;a G&#xFC;emes follows. (P&#xE1;g. 108).

GENERAL
    &#x2022; A CIDADE COM OLHOS DE VISITANTE / THE CITY THROUGH A VISITOR'S EYES, POR JAZM&#xCD;N MORENO ALVARIZA (P&#xE1;g. 110).
    &#x2022; PORTAS ABERTAS A OUTROS C&#xC9;US / OPEN DOORS TO OTHER SKIES, POR PAULA DE FALCO (P&#xE1;g. 112).

P&#xC1;TIOS E ESCOLAS | PLAYGROUNDS AND SCHOOLS
    &#x2022; ENVOLVER E RENOVAR / WRAPPING-UP AND RENOVATING, Col&#xE9;gio Alian&#xE7;a Francesa Jean Mermoz - Guillermo Hevia Garc&#xED;a e Nicol&#xE1;s Urz&#xFA;a Solar, arqs. (P&#xE1;g. 114).
    &#x2022; LIGAR E CONECTAR / PLUG IN AND CONNECT, Ligado - Amplia&#xE7;&#xE3;o nave Sedabrini Ortiz - Moscato Schere + Moscato Schere Todo Terreno (P&#xE1;g. 118).
    &#x2022; CONTER E EXPANDIR / CONTAINING AND EXPANDING, Jardim Municipal Barranquitas Sur - Secretaria de Planejamento; Subsecretaria de Obras de Arquitetura do Governo da Cidade de Santa F&#xE9; (P&#xE1;g. 122).

FRAGMENTOS | FRAGMENTS
    &#x2022; CIDADE UNIVERSIT&#xC1;RIA DE BUENOS AIRES, EL PROYECTO INMATERIAL DE CATALANO E CAMPI&#xD1;OS / BUENOS AIRES UNIVERSITY CITY, THE IMMATERIAL PROJECT OF CATALANO AND CAMPI&#xD1;OS, POR MARCELO FAIDEN (P&#xE1;g. 126).
    &#x2022; LEITURAS. A cidade de acordo com o tango / READINGS. The city according to the 'tango', POR WILSON FLOR (P&#xE1;g. 129).
    &#x2022; NOT&#xCD;CIAS. NEWS (P&#xE1;g. 130).
    &#x2022; EXPOSI&#xC7;&#xD5;ES. Repeti&#xE7;&#xF5;es, representa&#xE7;&#xF5;es, realidades / EXHIBITIONS. Repetitions, representations, realities, POR MART&#xCD;N DI PECO (P&#xE1;g. 132).
    &#x2022; APARI&#xC7;&#xD5;ES. Compartir um c&#xF3;digo / APARITIONS. Sharing a code, POR MERCEDES PERALTA (P&#xE1;g. 134).
    &#x2022; DISQUISI&#xC7;&#xD5;ES. A disputa entre antigos e modernos / DISQUISITIONS. The dispute between the ancients and the moderns, POR RAFAEL E.J. IGLESIA (P&#xE1;g. 138).
    &#x2022; INSINUA&#xC7;&#xD5;ES. Somos o que escolhemos esquecer? / INSINUATIONS. We are what we choose to forget?, POR RUTH VERDE ZEIN (P&#xE1;g. 138).
    &#x2022; REVELACIONES. Bajo Belgrano / REVELATIONS. The lower Belgrano district, POR MARIO SABUGO (P&#xE1;g. 140).
    &#x2022; CADERNO DE VIAGENS. Valpara&#xED;so em papel / TRAVEL JOURNAL. Valpara&#xED;so on paper, TEXTO E DESENHO POR IGNACIO ROS DE OLANO (P&#xE1;g. 142).
    &#x2022; TEXTURAS. O homem ilustrado: arquitetura de Bradbury / TEXTURES. The Illustrated Man: Bradbury's architecture, POR ROBERTO FERN&#xC1;NDEZ (P&#xE1;g. 143).
    &#x2022; POST SCRIPTUM. Livo e encoura&#xE7;ado? / POST SCRIPTUM. Free and ironbound?, POR RENATO ANELLI (P&#xE1;g. 144).
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